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A Guy's Moleskine Notebook

Thoughts and reflections on works of fiction and literature. Pondering of life through pictures and words. Babbling about gay rights. Travelogues and anecdotes.

  • [1] Annie Proulx: Brokeback Mountain
  • [2] Arthur Golden: Memoirs of a Geisha
  • [3] Yu Hua: To Live
  • [4] Alan Hollinghurst: The Line of Beauty
  • [5] Colm Toibin: The Master
  • [6] Carlos Ruiz Zafon: The Shadow of the Wind
  • [7] William James: The Varieties of Religious Experience
  • [8] Charles Higham: The Civilization of Angkor
  • [9] Graham Greene: A Burnt-Out Case
  • [10] Dai Sijie: Mr. Muo's Travelling Couch
  • [11] Alan Hollinghurst: The Swimming-Pool Library
  • [12] Mikhail Bulgakov: The Master and Margarita
  • [13] Colm Toibin: The Blackwater Lightship
  • [14] Alan Hollinghurst: The Folding Star
  • [15] Ross King: Michelangelo and the Pope's Ceiling
  • [16] Fyodor Dostoevsky: The Brothers Karamazov
  • [17] Jonathan Franzen: The Corrections
  • [18] Colm Toibin: The Story of the Night
  • [19] John Banville: Shroud
  • [20] Leo Tolstoy: Resurrection
  • [21] Peter Hessler: River Town, Two Years on the Yangtze
  • [22] Ian McEwan: The Atonement
  • [24] Gabriel Garcia Marquez: Love in the Time of Cholera
  • [25] Ignacio Padilla: Shadow without a Name
  • [26] Umberto Eco: The Name of the Rose
  • [27] Richard Russo: Straight Man
  • [28] Fyodor Dostoevsky: Notes from Underground
  • [29] Alan Hollinghurst: The Spell
  • [30] Hermann Broch: The Death of Virgil
  • [31] James Baldwin: Giovanni's Room
  • [32] Ken Kesey: One Flew over the Cuckoo's Nest
  • [33] Xingjian Gao: One Man's Bible
  • [34] C. Jay Cox: Latter Days
  • [35] Harper Lee: To Kill A Mockingbird
  • [36] William Shakespeare: The Taming of the Shrew
  • [37] Daniel A. Helminiak: What The Bible Really Says about Homosexuality
  • [38] James Baldwin: Tell Me How Long the Train's Been Gone
  • [39] Kenji Yoshino: Covering - The Hidden Assault of Civil Rights
  • [40] Italo Calvino: If, On a Winter's Night A Traveler
  • [41] Arthur Phillips: The Egyptologist
  • [42] George Orwell: 1984
  • [43] Michael Warner: The Trouble with Normal: Sex, Politics, and Ethics of Queer Life
  • [44] Andrew Sullivan: Virtually Normal
  • [45] Henry James: The Wings of the Dove
  • [46] Jose Saramago: Blindness
  • [47] Umberto Eco: The Mysterious Flame of Queen Loana
  • [48] Dan Brown: Da Vinci Code
  • [49] Kazuo Ishiguro: Never Let Me Go
  • [50] Ken Follett: The Pillars of Earth
  • [51] Leo Tolstoy: War and Peace
  • [52] Michael Thomas Ford: Alec Baldwin Doesn't Like Me
  • [53] Jonathan Franzen: How To Be Alone
  • [54] Jonathan Lethem: The Fortress of Solitude
  • [55] Matthew Pearl: The Dante Club
  • [56] Zadie Smith: White Teeth
  • [57] Fyodor Dostoevsky: The Double
  • [58] Jose Saramago: The Double
  • [59] Andrew Holleran: Dancer from the Dance
  • [60] Heinrich von Kleist: The Marquise of O & Other Stories
  • [61] Andrew Holleran: In September, the Light Changes
  • [62] Tom Perrotta: Little Children
  • February 18, 2006


    [19] Shroud - John Banville

    Shroud, like other novels by John Banville, is beautifully written against a vividly limned background. The main character, Axel Vander, is conceited, obnoxious, and goes out of his way to offend the readers. He identifies himself as a masterly liar who lies about almost everything, even when there is no need and even when the plain truth will be so much more effective in maintaining the pretence. I will not be surprised at his unreliable narration, shameless boasting and impudent lies as he spatters out the tale of his life.

    The shocking secret is that Axel Vander is not the real Axel Vander but has ineluctably appropriated the identity of an actor. He has impudently maintained the deception for over half a century since the time of danger during World War II. He must have thought he had shaken off his far past and wiped out all vestige of his old identity until the letter of Cass Cleave confronts him with irrefutable proof of his imposture. Banville devotes almost the whole novel chronicling Axel Vander's life, his delirious reflections, his reminiscence of his wife, the disturbing details of his impregnable alibi - all the minute heart-pricking details that permits Cass Cleave to privy the impostor's secret. Banville has written a beautifully crafted thriller, with meticulous prose, that prepares readers for the dreadful moment - the meeting of Axel Vander and his nemesis from whom he is so overwrought to buy silence for fear of being exposed.

    The prose is incredulously lyrical, rich, and refined - so much more compressed and yet detailed any prose in most contemporary fiction. Banville is one of the few living author who can maintain the flow of a novel with a taut sense while flourishing different themes as well as exploring and exposing, delineating the intricacies of human emotions. The book leaves us in awe of the marvelous silence with which human tolerate lies. Once again Banville has epitomized literary fiction with a twisting intrigue, which is unfortunately exiguous in the market now.


    Anonymous Danielle said...

    This sounds good. I have never read any of Banville's work. This character seems right up my alley these days as I seem to be reading a lot of books with obnoxious main characters!

    2/21/2006 8:55 AM  

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